True to form, Lanegan never switches from his natural style and demeanour: hand on microphone, the other on the stand, eyelids all reptilian-like, and almost no interaction with the audience. But that’s Lanegan – all poise and concentration as he feels the blues and channels it out into the musical ether. Warped, industrial-style Rowland S. Howard guitars and Aldo Struyf keys with added eerie guitar effects soon coil around Bubblegum tracks, ‘Hit the City’ and ‘Wedding Dress’. While back-to-back Field Songs tracks, ‘One Way Street’ and ‘Resurrection Song’, expose the more tender and melodious shades of the man’s character. Check the full review here.
True to form, Lanegan never switches from his natural style and demeanour: hand on microphone, the other on the stand, eyelids all reptilian-like, and almost no interaction with the audience. But that’s Lanegan – all poise and concentration as he feels the blues and channels it out into the musical ether. Warped, industrial-style Rowland S.…

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